orambra
orambra
i/o Discourse No. 1
21C Necessity
Contents
Why Responsive?
(2004) Filamentosa
What?
Architecture
More About Why
(2003) Frais
When Architecture Bleeds
(2004) Lotus
(2004) Actuated Tensegrity Structures
Architectural Technologies Research
(2005) East Darling Harbour
Qualifications
Qualifications

THE OFFICE FOR ROBOTIC ARCHITECTURAL MEDIA & BUREAU FOR RESPONSIVE ARCHITECTURE
Copyright © 1998-2008 Tristan d'Estree Sterk

Paper
Recently a significant philosophical split has appeared within the discipline of architecture. The split exists because the architectural profession is adopting a new digital framework, from which it can challenge the traditional cultural and technical pursuits of the discipline. This paper is about this split within the profession and about using it to develop challenging contemporary architectural forms that work to fill the 'gap'. So where does the split come from? Our discipline and its associated discourses have over time been informed by the technologies used to construct it, design it, and mediate it, but also constrained by these things and our understandings of them. With this in mind, one can realize that it is the technologies of the time that in fact shape the philosophical positions and styles adopted by both individual designers and entire genres. This gap isn't an easy thing to pin down. It takes on several forms all of which seem to stem from the same source, that being the influence of information constructs on space. If anything this paper aims to uncover the differences and similarities of these constructs, and use them to understand the digital genre that presently surrounds us.
The Synthetic Dialect & Cybernetic Architectural Form:
Sterk, Tristan d'Estree (2000) The Synthetic Dialect And Cybernetic Architectural Form, Emerging Technologies and Design: The Intersection of Design and Technology [Proceedings of the 2000 ACSA Technology Conference] Cambridge (Massachusetts) 4-7 July 2000, pp.117-122

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Peter Wilson cleverly has pointed out that in the 1920s when Le Corbusier wrote "... nobody today can deny the aesthetic which is disengaging itself from the creations of modern industry," that if the words 'modern industry,' are replaced with the words 'information technology,' one would have an incredibly accurate picture of our contemporary condition. Things are moving at a highly accelerated pace. Technologies turn over at unprecedented speeds and the social impacts of these technologies; of new information systems, transportation systems and communication Ð documentation systems are leading an undeniable and rapid hybridisation of the urban environment, the consequences of which, "of the new virtual reality of electronics, network computers and the ubiquitous language of television..." act to generate a "...de- presencing, an ephemeralising, a seeping transparency which has infected all things and all places."

There is a new genre out there. It's digital and it's focusing on the relationship between information orders and spatial orders, and more often than not it is trying to meld the two into a synthetic space.

The root to understanding the synthetic comes with the realisation that information has a construct that is based upon a system of relative relationships between sometimes disparate pieces or bits of information. We witness the imposition of relative information orders onto space constantly. For example, think of how you arrange your office desk, think of how you order your diary, your hard disk, your note pad, your office. All of these things are divided into parts with different places for different types of information

In such systems, tree-like frameworks emerge as natural phenomena in part because information exists within a system of relative ordering, which although spatial, don't use space in the way that architectural ordering systems or "object" based orders do. This is because information loses its validity or meaning once it is removed from a relative environment; an environment where one piece of information can be weighted against something else. This obviously isn't the case with a geometrical or architectural order because object forms have the ability to stand within their own right as objects of beauty.

Information simply can't do that. This very simple example opens the door to understanding the current information environment and some of the cultural, spatial and architectural implications of information systems.

Most of the literature that best illustrates the consequences and changes that society faces, has been underpinned by urban design theory; city theory. Christopher Alexander in a 1965 essay called "The City is not a Tree" used the term artificial cities, to describe a modern sterility and explained that such cities "lacked a level of complexity necessary to sustain a legitimate urbanity." His effective comment through the paper ridiculed the contemporary city while at the same time unwittingly and unintentionally pushing the desire for a new unified aesthetic, the very one that modern cities were drifting toward. This paper clutches at the word 'artificial' and morphoses it into a more positive, relevant and meaningful word, synthetic.

Alexander brings a unique insight to the synthetic dialect. His realisation that spaces can be described within hierarchical, tree-like and or semi-lattice information structures introduces us to the idea that spatial systems are compatible with information systems. Both form similar structures and display common orders when (and only when) analysed and conceived of as hierarchical systems.

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Links:
ORAMBRA: a carbon neutral office
carbonfund.org

MEDIA: BBC World Service (2007)
BBC

MEDIA: Wired (2006)
WIRED

MEDIA: The Economist (2006)
ECONOMIST

MEDIA: CNN Future Summit (2006)
CNN

MEDIA: ABC Radio National (2007)
ABC

Newsweek Polska (2007)
NEWSWEEK.COM

MEDIA: Technik / Zeit Wissen (2006)
Zeit Wissen

MEDIA: Except from ACADIA (2006)
Link

MEDIA: ArchitectureWeek (2006)
Link

MEDIA: Radio Adelaide 101.5 (2005)
Radio Adelaide

PROJECT: Lotus Environmental Sensor Network (2004)
Project

PROJECT: Filamentosa Ultra-lightweight Skyscaper (2004)
Project

PROJECT: ideaCloud Grange Beach (1998)
Project

PROJECT: frais Chicago (2003)
Project

PROTOTYPE: Films 1 & 2 (actuated class 3)
Prototype

PROTOTYPE: Films 3 & 4 (actuated class 3)
Prototype

PROTOTYPE: Films 5 & 6 (actuated class 2)
Prototype

PAPER: Using Actutated Tensegrity (2003)
Paper

PAPER: Structural Shape Control (2006)
Paper

PAPER: CAAD for Responsive Architecture (2007)
Paper

PAPER: Hybridized Control (2003)
Paper

PAPER: User Centered Interactions (2006)
Paper

PAPER: Cybernetic Form (2000)
Paper